{"id":5478,"date":"2016-08-22T10:13:45","date_gmt":"2016-08-22T09:13:45","guid":{"rendered":"https:\/\/thewhiskylady.net\/?p=5478"},"modified":"2016-08-22T10:13:54","modified_gmt":"2016-08-22T09:13:54","slug":"enchanting-whisky-getaway-lost-distillery-co","status":"publish","type":"post","link":"https:\/\/thewhiskylady.net\/enchanting-whisky-getaway-lost-distillery-co\/","title":{"rendered":"An enchanting whisky getaway with The Lost Distillery Company"},"content":{"rendered":"

Remember, I already introduced you guys to the historical approach of The Lost Distillery Co.<\/a> in a previous article<\/a> earlier this summer (don’t tell me you don’t remember – you went all crazy for this giveaway – thanks again for being so numerous to enter btw!).<\/em><\/p>\n

And as I’ve been roaming around Scotland since a few weeks, I gladly took the opportunity to visit the Lost Distillery team and their newly-appointed brand ambassador Ewan Henderson for a pretty unique evening of refined\u00a0libations, incredibly tasty Scottish cuisine, passionate talks & blindfolded musical whisky tasting (If you’re curious about this last bit… which you should be, I’ll tell you more about it in an upcoming piece as I was quite blown away by the experience)<\/em>.<\/p>\n

The idea behind LDC<\/a>, is more to offer a modern interpretation of ancient whiskies rather than to exactly replicate those whiskies, which obviously, due to new processes, equipments, rules etc. isn’t even possible to achieve. In case you’re still a bit skeptical about this uncommon quest to revive Scotland’s forgotten nectars, here’s how they do what they do:\u00a0<\/strong><\/p>\n

<\/p>\n

“There is no magic formula to what we do. We don\u2019t have a warehouse full of old forgotten whisky, we don\u2019t have a secret recipe or DNA analysis and we don\u2019t have plans to reopen any of these lost distilleries. The answer to what we do lies in the history books\u2026<\/strong><\/p>\n

The process begins with our Archiving Team led by Professor Michael Moss from The University of Glasgow. Focussing on the 10 key components that influenced the original character<\/strong> of these long lost whiskies, the Archiving Team play a pivotal role in evidencing how that spirit might have tasted when it was last distilled. While we could argue that there are a number of elements of the production process that are pivotal to the final taste of the whisky, we focus on what we consider to be the ten most important<\/strong>. Depending on the availability of information from our research, we are able to make certain assumptions as to what the profile of these whiskies might have been.<\/p>\n

\"Afficher<\/p>\n

The 10 Key Components:<\/em><\/p>\n

ERA<\/strong> \u2013 The date of the last distillation is critically important. As with most manufacturing businesses, fashions and processes change. Mechanisation brought increased consistency to the process, while expansion of the railways sponsored the construction of much bigger distilleries.<\/p>\n

LOCALITY<\/strong> \u2013 Neighbouring distilleries may have used similar sources of water, barley and yeast. They may have shared expertise that still survives today in working distilleries.<\/p>\n

WATER<\/strong> \u2013 A core ingredient used to make the spirit and also to dilute the product to bottling strength. Was the water soft or hard? What was the mineral content?<\/p>\n

BARLEY<\/strong> \u2013 The most important aspect of the barley is the phenolic content. Where was the barley grown? Was it local? Which strains of barley were used? How consistent was the yield?<\/p>\n

YEAST<\/strong> \u2013 Why is some sourdough bread better than others? Why do some bakers retain a starter dough for decades? Yeast matters in the process and ultimately has an impact on the final product.<\/p>\n

PEAT<\/strong> \u2013 Was the malted barley peated or unpeated? How much peat was used and was it sourced locally? How did this translate to the phenol content of the finished product?<\/p>\n

MASH TUN<\/strong> \u2013 What material was it constructed from? Was it open or closed, and how was the temperature controlled? Volatile temperatures would inhibit yeast activity.<\/p>\n

WASH BACK<\/strong> \u2013 These would have been made almost exclusively from Douglas Fir; chosen for its straight grain and lack of knots. While some distilleries still use these, most have converted to stainless steel versions that impart no character to the product.<\/p>\n

STILL<\/strong> \u2013 The shape and size of the still deeply influence the overall character of the spirit. For example, a smaller dumpy still will typically allow more contact between the copper and the spirit meaning that it produces a heavier, more viscous spirit.<\/p>\n

WOOD<\/strong> \u2013 After production, what type of wood was used to store or transport the whisky to its destination? Did this have an impact on the final flavour? What did the barrel have in it before it was used for whisky? This would have had a significant effect on the whisky\u2019s taste.<\/p>\n

\"Afficher<\/p>\n

While these 10 key components are essential, it\u2019s just as important to recognise what wasn\u2019t in the whisky. A century ago there was no such thing as chill filtration or caramel colouring of the final product.<\/strong> That\u2019s why, at The Lost Distillery Company, we don\u2019t do either of these things today.<\/p>\n

Following the detailed work of our Archivists, our team of whisky makers begin to interpret the research to pick out some of the eight key flavour nuances of the whisky:<\/p>\n

Peaty \u2022 Floral \u2022 Fruity \u2022 Cereal \u2022 Winey \u2022 Woody \u2022 Sulphery \u2022 Fenty<\/strong><\/p>\n

The third part of our process is arguably the most interesting and challenging. We call this \u2018The Debate\u2019. Our Archivists and Whisky Makers, along with a panel of selected \u2018noses\u2019, attempt to bring to life the evidence before them<\/strong>. They create a blend of single malts from different distilleries and with different flavour profiles, tweaking the composition to sit easily with both the evidence of the archivist and the interpretation of the whisky makers. This process takes considerable time and experience but only when everyone is comfortable with the result does the whisky receive The Lost Distillery Company<\/a> seal of approval \u2013 when we are happy that we have created a present day interpretation of that long lost whisky legend<\/em>.”<\/p>\n

\"llllll\"<\/p>\n

If you have some time, I would highly recommend you go check the “whisky stories<\/a>” they released for each of their expression – offering extensive historical insights about the lost distilleries featured in their current range<\/a>, along with beautiful painted illustrations. A real goldmine of knowledge for any die-hard whisky lover!<\/p>\n

And don’t forget to have a look at their Vintage<\/a> & Archivist collection<\/a> as well – trust me, you’ll be in for a real treat *add “Tested&Approved by The Whisky Lady” stamp here*<\/em>! Oh btw… Stay tuned as some tasting notes are coming your way veeeery soon \ud83d\ude42<\/p>\n

I leave you with some pictures taken during my visit (location: Dumfries House):<\/em><\/p>\n

\"IMG_4843\" \"IMG_4853\" \"IMG_4855\" \"IMG_4858\" \"IMG_4860\" \"IMG_4869\" \"IMG_4872\" \"IMG_4880\" \"IMG_4887\" \"IMG_4888\" \"IMG_4890\" \"IMG_4892\" \"IMG_4898\" \"IMG_4904\" \"IMG_4906\" \"IMG_4907\" \"IMG_4908\" \"IMG_4911\" \"IMG_4915\"\u00a0\u00a0\"IMG_4919\" \"IMG_4922\" \"IMG_4924\" \"IMG_4925\"\u00a0\u00a0\"IMG_4936\" \"IMG_4938\"\u00a0\u00a0\"IMG_4953\" \"IMG_4959\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Remember, I already introduced you guys to the historical approach of The Lost Distillery Co. in a previous article earlier this summer (don’t tell me you don’t remember – you went all crazy for this giveaway – thanks again for being so numerous to enter btw!). And as I’ve been roaming around Scotland since a few weeks, I gladly took the opportunity to visit the …<\/p>\n","protected":false},"author":2,"featured_media":5517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[356],"tags":[838,754,839,750,841,44,840,837,456,102],"_links":{"self":[{"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/posts\/5478"}],"collection":[{"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/comments?post=5478"}],"version-history":[{"count":12,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/posts\/5478\/revisions"}],"predecessor-version":[{"id":5568,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/posts\/5478\/revisions\/5568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/media\/5517"}],"wp:attachment":[{"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/media?parent=5478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/categories?post=5478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thewhiskylady.net\/wp-json\/wp\/v2\/tags?post=5478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}